Lacking adequate knowledge of the technical system, musicians increasingly found themselves drawn to prefabricated programs as a source of new sound material. As I have argued, however, this assertion is not simply a state ment of fact; it also suggests a reconceptualization on the part of the industry of the musician as a particular type of consumer.(p89)
2023年にその後を振り返る論文が出ている（Jonathan SterneのAIマスタリング関係とかに言及あり）